Poem About Grief

Note: I want to share this thing with you. Not because it is finished but because it needs to be outside of me. It came to me very quickly. A few words a few days ago. A sentence last night. A phrase when I woke up this morning.

I ate my breakfast. I drank my coffee. I took my daughter to school.

It was waiting for me when I found my chair. It is better, I think, for it to be on the outside of me. What I mean to say is this: I wrote this, then went for a run with a friend and, when I came back to it, it seemed more beautiful than scary.

***

Grief is the subterranean monster that has been waiting with inexorable hunger since your childhood. She is the unseen creature lurking just beneath the surface, reaching up for you with her impossibly long arms to drag you into her silent kingdom of earthworms, clattering bugs and other blind, scurrying things.

Grief is the shape inside the shadow standing in the corner of your room. That faceless familiar form, seeming so much like a person with no name. The thing tucked in that corner of the closet which reminds you somehow of an open mouth, not speaking, not moving. Preternaturally still. Patient as thunder.

It is the moment you first notice the rusty hinge of heaven and how, once seen,  you cannot unsee it ever again. How precarious the sky hangs there above your head now, no longer floating. Now pressing downward and how you realize for the first time that the sky has been falling your entire life. You just never took the time to notice. And now, there is no escape from it. The sky which has always been falling and your life which gets smaller with each passing moment.

And now how your life seems like a hallway with only one door. A long hallway, perhaps, but one that narrows and slopes slightly as you slip constantly forward, tripping toward that one single door waiting for you at the end. That door is slightly open. It stands ajar as you move closer and closer until, one day, which will be a complete surprise to you, you will stand with your hand on that door’s knob.

And now grief is like a closet overfilled with all the things you packed away, the useless things that had no place in the moment but which are now tumbling out and toppling over you. Forcing you to deal with each and every misplaced thing. How they break and bruise you and they bury you in this endless avalanche of things you thought you had forgotten, things you had set aside, things you not wanted to remember.

And now grief is sitting with you underneath a small tree on a very small hill, trembling like a leaf on a branch on that very small tree. And how you will call it meditation. Or you will call it mindfulness. Or you will call it prayer.

But it is really just you and your grief waiting for something to happen. Something different. Something without precedent.

And the sun rises. And the sun sets as it always has. And there are creatures moving underneath you, stirring in the dirt. And there are shapes inside all the shadows that lengthen and shrink as the days roll by. And the sky closer to you now that it has ever been.  And you notice how the bright traffic of clouds once so unremarkable now restlessly rearrange themselves like the furniture of your life. And how, even with your eyes closed, you can feel the stretch of that long, one door hallway as it swallows you down into mystery, deep into surprise.

And how, when you open that final doorway, all the things come down on you.

And now you understand your whole life has been a practice with gravity. The trick of holding things down. Keeping things where they belong. And now everything is floating. Everything is drifting. And you are working, once again, with groundlessness, except this time you are working with sorrow. You are working to save your life.

Pimp This Poem: Spring Bloom

Here’s a poem I wrote three or four years ago. I have been tinkering with it off and on ever since. The poem is about a moment years ago when I was taking out the trash and was surprised by the promiscuous beauty of my neighbor’s pear tree illuminated from behind by a street light. The light poured through the soft, white flowers. She seemed very much like an angel, alive and glorious, glowing from within with a pure but sensuous light.

I am explaining too much. I am thinking I may submit this to a local literary arts magazine. I am interested in comments, feedback, semi-rotten tomatoes.

In other words, please pimp this poem.

***

Spring Bloom

The girl next door stands ready at the gate.
Her long, lithe limbs linger. She beckons me
with burgeoning blooms, her open invitation hands.
She is bathed in streetlight – radiant, clean, gleaming
from the inside with a promise. No one is awake.
The night protects us, our anonymous secret.
I have an idea, I tell her.
I know you do, she says. She always knows
exactly what to say.

Poems Belong Everywhere

I love poems, but I don’t always particularly enjoy poetry.

I like the way a really good poem slices through the baggage of words and gets to the truth of things. I like the way a really good poem makes familiar objects seem unfamiliar. I like way a really good poem can surprise you, catch you off guard and force you to acknowledge beliefs you did not realize you held.

I love poems, but I have a terrible time with Wordsworth, Yeats, Keats and the crew. There was a time when I assumed that Eliot, Stevens and cummings spoke with ideas and a voice more rarified and brilliant than my own. I bashed my mind against their verse, trying to unlock their elevated ideas. It never happened, so eventually I stopped.

Then I started reading Kerouac and Ginsberg, Billy Collins and Mary Oliver and I began to understand poems again. Poems are a kind of meditation. Poems are moments of complete attention where the object and the subject disappear. Poems are acts of gratitude. Poems are declarations not of how things should be but declarations of how things really are. Poems are prayers.

Poems are useful. They have a purpose in every day life. The problem is, too often, poetry gets in the way of poems. Poetry makes poems into an abstraction, an idea of a thing rather than the thing itself. We teach ourselves to fear poetry in high school and then feel ashamed about that fear for the rest of our lives.

I particularly like the way Billy Collins puts it, “It is a good thing to get poetry off the shelf and more into public life.” His 2012 TED Talk shares some ideas on how this might work. I was particularly amazed by the animated poem mashup he undertook to bring 5 of his terrific poems to a new kind of life.

Take a look:

What do you think about the idea of poems in public life? Where does the world need poems? How can we get them there?