Flash Fiction: “Our Autumn Town”

For a long time, my writing has suffered from an expectation that the things I write need to be finished, polished and complete before they are read. Finished, polished and complete are all important. The unspoken corollary is that writing must be perfect before it is read.  That belief has made my writing a lonely, sometimes painful, act.

I am trying to kill that mental habit by writing in public. Posting these unfinished, unpolished snatches of “flash fiction” helps me subvert the belief that the point of writing is to make perfect things. I am practicing with the idea that the point of writing is to be read.

So here’s another piece I wrote last night. I was listening to “Autumn in Our Town” by Dave Brubeck and Ranny Sinclair.

*****

He hadn’t meant to pick up the phone. Dialing her number was sheer mutiny, and yet, here he was, pressing the numbers, his fingers finding the buttons from long lost habit deeper than memory. They hadn’t spoken in years. He couldn’t quite remember why. There had been a reason. A good reason.

The phone was ringing. He closed his eyes, trying to remember the color of her eyes. They had been green. Her eyes were slightly misaligned, though he couldn’t well remember if they had moved more to the left or the right. It was a thing he noticed when she stared at him. She had stared at him a lot, a bit like an idiot perhaps but the remembered impression of that stare was powerfully erotic.

How had they met? Was it in physics class? Had they been lab partners? Or had they met, perhaps, in the library? Maybe it was on the bus? Had he ever ridden a bus? Where would he have ridden a bus?

These questions crowded as the phone rang — once, twice, three times. He was about to hang up feeling foolish for indulging this fantastic whim when the line opened and a voice spoke.

“Hello?” A man’s voice with a British accent. She had always loved men with British accents. She had made him hate his own Southern Georgia drawl, he remembered suddenly. So many things she had helped him hate about himself, he realized with sudden panic.

“Hello?” the Englishman said again with that tone of patient annoyance that must have driven her wild. “Is anyone there?” he asked.

A choking croak rose in his throat when he tried to answer.

“Hello?” the Englishman said again, this time less patient, more annoyed. “Is there someone on the line? Can I help you?”

He swallowed a second croak, which went down his throat like a thing with a hundred legs. The taste of bile. He was dizzy and sweating a little.

“May I speak to Celine?”

The man on the other end grew silent except for suddenly labored breath. There was a moment when the latent sound of telephone wire was the only sound shared between them. And then, the British man spoke, “May I ask who’s calling?”

“I’m an old friend of Celine’s,” he said quickly. Even as he spoke the words, they sounded wrong to him. Even to his own ears, they sounded very much a lie. “Norbert,” he added, realizing he needed to add more information.  “My name is Norbert.”

The British man was being careful now. “Norbert,” he said, as if practicing the name for the first time.

“Yes. Is Celine there?”

The British man sighed. “No. Celine isn’t available. She can’t speak on the phone.”

Norbert pondered the odd turn of phrase. “May I leave her a message? Like I said, I’m an old friend. This is terribly important.”

The man sighed again. “Terribly important.” He said it as if taking dictation. “How long has it been since you last spoke to Celine?”

Norbert sensed a trap. Besides, his mind couldn’t capture how long it had been. Surely twenty years or more. Maybe thirty. Yet standing there, having dialed Celine’s number on his phone, he felt as if he had spoken with her as recently as yesterday. Time was a tricky thing. It folded in on you and doubled over while you were not looking. Things that happened yesterday seemed years ago and things from years ago were as close to hand as yesterday.

“Not sure. Years, I’m sure,” Norbert said.

“Years,” the British man confirmed. “I see.” Now it was a clinical pronouncement, the way a doctor might deliver hard medicine. “Bad news, I’m afraid, Norbert. Celine isn’t well. She hasn’t been herself. For years, I’m afraid.”

“Not herself?” Norbert asked. “Then who has she been?”

“I’m sorry. I really must be going now.”

“Please.” The edge of panic in his voice surprised Norbert. Her eyes had been green. They had tracked slightly to the left when staring at him. She had a spray of pale freckles across the bridge of her nose and her eyebrows were thinner at the centers than at either side. “I need to speak with Celine. It’s very important.”

Another sigh. “Celine isn’t here. She can’t be here. She is in hospital for people who aren’t themselves.”

He waited for the words to sink in.

“A hospital for people who aren’t themselves?” Norbert asked, feeling dense.

“Psychiatric,” the man said, his tone deadly dull.

“I see.” It was the only thing Norbert could think to say. And then, “Still, it is very important I reach her. Is there a number I can try?”

“You aren’t getting this,” the man said again. “My wife isn’t able to take your call. She isn’t able to speak with you. She isn’t able to speak with anyone. She isn’t Celine. There is no Celine. You should forget about Celine. Give up on her. Move on. There isn’t any use in pursuing this line. You will not reach her. She can’t be reached.”

The man was angry. Norbert hadn’t intended to make anyone angry. Quite the opposite. It was quite simple, really. He had only wanted to make contact and explain a few unresolved things from his own perspective. He had only wanted to hear her voice, to remember those crooked eyes and the way her wicked smile had filled him with equal measure of fear and excitement.

The man on the other end of the line had stopped speaking. He had run out of things to say. Norbert tried to hear if he was fuming or crying. In the end it made no difference. Love was a madness that descended where it would, ruining the plans and expectations of everyone it touched. Whether this man, Norbert or whatever other men had crossed paths with Celine. It was no matter. There was nothing to be said. Nothing to be accomplished.

“I am sorry to have bothered you,” Norbert told the man. And he was. He hung up the phone and felt a sudden giddy rush and his incredible good fortune. Love had come upon him, had ruined him with its crushing madness. It was a beautiful thing after all, he decided. No less delicious, however unrequited

Flash Fiction: “The One I Love”

For years, I’ve been writing but haven’t showed what I’ve written to more than two people. I used to enjoy sitting down, setting a random iTunes track on repeat and seeing what happens. And then tonight, there this.

Here’s a short piece inspired by “The One I Love” by Buddy Tate and Humphrey Lyttelton. Fair warning: a bit of rough language. I hope you’ll still respect me in the morning.

******

It wasn’t her kind of music. The slow, lumbering piano. The shuffling drums. The smoky horns.

It was shuffling, ungrateful music. The kind of music that couldn’t look you in the eye, couldn’t tell you what it wanted.

And then there was Billy, sitting across the table from her, not exactly smoking his cigarette but playing with it endlessly, rolling it between his fingers, pressing it against his lips, clutching with this teeth, a drag, two drags and it was out again.

“Have another whiskey,” she told him.

He jumped a little when she spoke, realizing that he had drifted off yet again and that she had caught him wandering. He smiled. It made her want to smack him.

“Did you say something, doll?”

Impossible to believe she had actually fucked this man. Had let him grasp her hair, grunting into her face. That ridiculous mustache that made her want to scream.

“Did I?” She shrugged.

“Yes,” he said, his voice trailing off before he could capture another thought. His mind was a caged bird, frantic, stupid with fright and the tedium of its small, comfortable cage.

“Another whiskey,” she offered, already pouring the glass.

He watched her pour the amber into his glass, eyes squinting weak with indecision. “Yes,” he said finally after she had finished pouring. “Thanks.”

He sipped gently. She looked away. It made her feel sick, men who sipped their whiskey.

“What do we do now?” she asked, knowing there would be no answer.

Billy fumbled in his jacket pocket for the pack of cigarettes, shook one out.

“Last one,” he said, offering the last smoke. She took it even though she didn’t want to smoke. She set it on fire, just to spare herself from having to watch him fumble his way with it. She took a drag, heavy and deep, comforted by the swirl of heat gathering in her throat and lungs. The smoke was a nesting dragon, a baby beast settling into its mother’s safety. Then, she breathed out and felt herself relax into the world.

Things weren’t that bad. They couldn’t be that bad. So maybe things had gotten a little out of hand back at the store. That couldn’t be helped. Life rose up and grabbed you when you were not ready. Situations escalated. People panicked. Guns went off. It happened everyday.

Every goddam day of her miserable life.

“Well?” she said.

“Well what?” He seemed genuinely stumped. How could he be stumped?

“What do we do now?” she asked.

“What do we do now?”

There was a long moment when she understood what the music was about – the long, lingering flourishes, the small embellishments. She understood the music and believed the music understood her. It was jazz and it was her life and it was improvised and it was always ending but never over.

“What do we do now?” she asked again.

Billy just stared at her, looking very much the child. Except for that mustache of his. That rude, whispery mustache. His mouth opened, then closed again. There were no words. There was nothing to be said.

“Never mind,” she said, standing. She laid a twenty on the table, paying for his drinks and hers.

“Where are you going?” he stammered.

“To do what needs to be done,” she told him. She was going to bury the bodies.