On Monsters by Stephen Asma | Book Review

Stephen Asma’s On Monsters offers an enjoyable, if somewhat fractured, survey of monsterology through the ages. Monsters pre-date horror films and ghost stories. The concept of the “monstrous” has always been part of human experience. Each age understands monsters differently. The first half of On Monsters explores evolving understandings of monsters. In general, monsters stand outside normal experience. Monsters personify those things we do not or cannot understand. Monsters are a manifest acknowledgement of the limits of human understanding. As these limits change, our monsters change. Monsters dwell in the places we believe to be unknowable.

For the ancients, the unknowable places were empty spots on the map. This gave us the great sea monsters and terrible, cannibalistic races that inhabited the oceans and unfamiliar continents.

In Biblical times, monsters were agents of God, mysterious and unfathomable. Think Leviathan.

The earliest monsters were thought to be part of the natural order. They walked among us and lived in places we could not or should not go.

Medieval monsters were supernatural – witches and demons. They didn’t live in a special place of their own. They lived everywhere and regularly intervened in the lives of the non-righteous.

With the Enlightenment, came the medical fascination with mutation and physical aberration in the human family. “Monsters” were no longer mythical. They were miscreants, captured and preserved in jars, and offering a measure of enjoyable frisson for collectors of oddities and the paying customers of these collections. The Mutter Museum is one of the most famous collections.

Over the past 200 years or so, our ideas about monsters have become internalized and have represented what we believe we cannot understand about ourselves. Modern times have been preoccupied with psychological monsters, like serial killers, tyrants and sociopaths.

Asma is at his best theorizing on the horror genre as the “art of human vulnerability”. He is particularly clever in his discussion of slasher films and “torture porn” and how they either explore or exploit the understood limits of human vulnerability to either empower or debase.

The second half of the book is less successful. Asma struggles with contemporary notions of the monstrous in the fields of cosmetic surgery, terrorism, robots and cyborgs. This is fertile ground for exploration but he does not bring these threads to any satisfying conclusion.

For most of human history, monsters were aberrations from the intended order of things. With the advent of biotechnologies and cybernetics we are faced with the possibility that there may be no final intended order of things. If there is no intended order to things, then some would suggest there can be no monsters. Everything becomes monstrous. Asma does not reject the promise of the new technologies to improve the quality of human life. But neither is he willing to abandon the concept of the monstrous as a useful indication of something still somewhat poorly defined.

Books are not sacred objects

I am a book person. For a long time, I believed that meant I was ordaned by Powers Greater Than Me to save books. I rescued books from free bins. I bought them at yard sales and flea markets. I stole them from basements. Wherever books were being mistreated and neglected, I was there to play rescue. I took these sad, saved creatures home, placed them on my shelf and never read them.

These were anxiety-ridden years. I was wracked with guilt at the numbers of grubby-spined tomes on my shelves that would never be read but yet could not be removed. I had to keep these these shabby miscreants because I “might” someday read them. I now understand that this condition is called hoarding. It is a psychological disorder that is treated by a regimen of meds, therapy and appearance on a cable TV reality show.

Now I am recovered. I have found balance, and I can once again enjoy books. I read eBooks. I can stop reading books that I am not enjoying and, sometimes, recycle the paperbacks. I give books away. I sell them. Sometimes, yes, they go into the trashcan.

I love books because of what’s inside. I cherish ideas. I adore controversial opinions well-stated. I like to wear other people’s lives and walk around in their borrowed skins for a few hundred pages.

Books are made to be used. Reading books makes my life larger, better.

But simply having books for the sake of having them is a bit of a burden. Much better that books be put to a good use. And so I find myself defending the idea that books, once no longer read, are great fodder for doing crafts. I’m not crafty but I appreciate the clever soul who can fashion a Kleenex holder, lamp or work desk out of old, unused books. Books worth reading should be read because reading is a sacred thing. Books that are no longer worth reading should be used some other way.

Rebecca Joines Schinsky says all of this much more eloquently that I am able. Read her blog post “Books Are Not Sacred Objects“. Spread the word. If we can get past the idea that all books are sacred objects, we might be able to convince non-book people that reading is a pretty great thing.

What the Internet is Doing to Our Brains (a mid-book review)

I am halfway through Nicholas Carr’s The Shallows: What the Internet is Doing to Our Brains. Carr is the guy who wrote the excellent Atlantic essay “Is Google Making Us Stupid?” several years ago in which he documented his personal sense that reading online was somehow ruining his familiar mental habits — namely, concentration and focus. “Ruining”, I thought at the time, was an unfairly harsh term. He takes a more nuanced, thoughtful approach to his own experience of reading in the book-length study.

Page 125 of a 224 page book is not the ideal place from which to write a review. That said, I am ready to recommend this book to anyone who wants to understand what is probably happening to us in the age of ubiquitous internet access. Carr’s argument expands on the theme established in his Atlantic essay: the internet is destroying our ability to read deeply and engage with text-based narrative in a linear, hierarchical, rational fashion. Hypertext and multimedia “enhanced” text is changing the experience of reading and rewiring the way our minds are able to read.

The Atlantic essay struck me as alarmist, reactionary even. The Shallows places the new ways of thinking engendered by the internet into the context of other mind-altering technologies that actually changed the way our brains worked: the alphabet, numbers, the map, the clock, the codex. Carr examines how these new technologies of intellect have made entirely new thought processes possible and, thus, altered physical structures in the human mind. These changes play out over the course of millennia but they also play out in the course of a human lifetime. In the case of the internet, these changes may play out in a matter of days or weeks.

There’s a lot of strong scholarship in this book. I will come back for a better review 100 pages from now. For now, I just want to share how impressed I am with Carr’s ability to summarize the history of technological innovation, describe how it works and create a meaningful context that is value-neutral and does not necessarily crown contemporary humans as the apotheosis of what we will become. We are not necessarily destined to remain as we are. We are most likely destined to continue our process of becoming something else. This has happened before. It is going to happen again.

Carr says it better. Here’s a great passage from his chapter on the history of reading aloud vs. reading alone:

Like our forebears during the later years of the Middle Ages, we find ourselves today between two technological worlds. After 550 years, the printing press and its products are being pushed from the center of our intellectual life to its edges. The shift began during the middle years of the twentieth century, when we started devoting more and more of our time and attention to the cheap, copious, and endlessly entertaining products of the first wave of electric and electronic media: radio, cinema, phonograph, television. But those technologies were always limited by their inability to transmit the written word. They could displace but not replace the book. Culture’s mainstream still ran through the printing press.

Now the mainstream is being diverted, quickly and decisively, into a new channel. The electronic revolution is approaching its culmination as the computer — desktop, laptop, handheld — becomes our constant companion and the Internet becomes our medium of choice for storing, processing, and sharing information in all forms, including text. The new world will remain, of course, a literate world, packed with the familiar symbols of the alphabet. We cannot go back to the lost oral world, any more than we can turn the clock back to a time before the clock existed. “Writing and printing and the computer,” writes Walter Ong, “are all ways of technologizing the word”; and once technologized, the word cannot be de-technologized. But the world of the screen, as we’re already coming to understand, is a much different place from the world of the page. A new intellectual ethic is taking hold. The pathways in our brains are once again being rerouted. (77)

This is a very enjoyable, well-researched, well-built study. I just hope there are still people out there able to sit still long enough to enjoy it.

Remembering Ray Bradbury

You don’t have to be a die-hard science fiction fan to mourn the loss of Ray Bradbury. Bradbury wasn’t actually much of a science writer. He wrote about possibility. I started reading Bradbury in high school, much later than most of my friends. I read Fahrenheit 451, Martian Chronicle and Illustrated Man in three quick gulps. I admire Bradbury for his relentless optimism. No matter how bleak the times, his stories all finish with a sense of wonder and an expansive view of man’s destiny to make new things and explore. Bradbury believed that we are destined to get away from Earth and explore new worlds. I think he is right.

Bradbury’s most famous novel is probably Fahrenheit 451, which is often characterized as a dystopian warning against the abuse of government authority through censorship and the destruction of printed books. True enough. Had the novel rested there, it would have been a bit dull. Fahrenheit 451 is prescient in how it depicts a society that is saturated with video entertainments. The characters who inhabit Bradbury’s television-obsessed society are shallow, self-absorbed and incapable of sustained self-exploration. The novel rests somewhere between 1984 and Brave New World in suggesting that an authoritarian regime can get away with whatever it likes so long as the citizens are sufficiently entertained. 1984 suggests that books would need to be destroyed to keep people from caring. Fahrenheit 451 says that books can be destroyed precisely because no one cares.

The programming that occupies the 24/7 television schedule is predominantly soap operas and “Cops-style” reality shows.

Bradbury hated the idea of eBooks yet his own work, I think, argues favorably for eText. In the end, when print books have all but vanished, it becomes the life work of passionate people to preserve the content of the books by memorizing them. These volunteers become Books and travel the country, looking for people to inspire. From my reading, Bradbury suggests that print books are merely vessels for ideas. Print books are wonderfully efficient vessels in they way they transmit ideas from one mind to another across boundaries of geography and time. Still, books are most important in the way they transfer ideas, experience and knowledge from one person to another. Even after the books are all gone, there are still Books. The knowledge is protected and carried forward.

The closing metaphor of people as Books is a beautiful metaphor that touches on why I so enjoy being a librarian. We must not fetishize the object of books to the point that we loose sight of what books do for us. Books are tools. Books move ideas forward. The battle cry of Fahrenheit 451 is not simply to appreciate and protect the books. Bradbury urges us to carry worthy ideas forward by any means necessary.

I, like so many others, am grateful for the gift of Ray Bradbury’s work. Amid all the wonderful comment and reflection on Bradbury’s contributions, I like Andrew Chaikin’s comments on NPR’s Morning Edition the best. Chaikin says:

For anyone who longs to make their dreams take flight, Ray Bradbury had some very clear advice: Jump off the cliff, he said, and build your wings on the way down. He was telling us that every impossible dream that comes true begins with a leap of faith.

Bradbury died on Tuesday. He was 91.

Reading provides mental oxygen

Science fiction author William Gibson on how reading science fiction enriched his life:

Things might be different, science fiction told me, and different in literally any way you could imagine, however radical. Simply to know that people who thought that way existed was a game changer for me. Being able to directly access their minds, as a reader, was like discovering an abundant, perpetually replenished, and freely available source of mental oxygen.